57 Variations – Installation Pictures


57 Variations of an incomplete elongated dodecahedron – The Day Gate Variation.


57 Variations of an incomplete elongated dodecahedron – The Boom Boom Firepower variation.



I have a dirty little secret to share

I love performance art. The more ridiculous the better. Wait. Stop.Correction. I love making performance art. This is a performance from 2005 entitled “The Coca Performance”. The image quality is beyond terrible, but the soundtrack kicks arse.

A brief description of the performance: I am a high priest preparing to make a sacrifice at the alter of the coke god. The three temple priestess’ are holding on silken pillows 1. A ceremonial knife 2. The sacrifice (a can of Pepsi) 3. $1.20 in change.

The Tortoise and Achilles with some of those strange acting smart-stupids: A meta-metaphorical fugue.





When I was approached about exhibiting my work in Latrobe Regional Gallery’s revamped sculpture courtyard I was doubly excited. Not only is it a ravishing space but it’s also my hometown gallery.  I had a strong body of work from my 2006 show at the Gippsland Art Gallery and I was busting for the opportunity to revisit and ‘re-tune’ that work.  However, after discussions with the Gallery I decided to change tack.  This new space was deserving of new work, and I was interested in developing this in a more capricious and whimsical manner.

57 Variations – variation 33.

This suite of component based assemblages and spatial interventions was developed from a need for an activity that I can just grab on a sunny day, get away from other projects, gain perspective, and most importantly, play.  It has become a form of three-dimensional or sculptural doodling.   Traditional ‘back-of-the-envelope’ doodling is great to help to clear one’s mind but doesn’t stretch the physical body.  The nature of this new work allows me to challenge both.

57 Variations – variation 33. Shown here spilling out the back door and into the car park.


Some people call me the space cowboy

Dodecahedron in bronze. Suspended over a mica/shellac composite light-box. One of my all time favorite pieces. 3rd year at uni, circa 2005.

In the background are some early explorations into using gunpowder as a medium. Was both shattered and blown away when I found Cai Guo-Qiang about a month after I began the experiments.  I actually wrote him fan mail, and asked if I could hang out with him if I was ever in New York. His staff wrote back and said I was more than welcome.

Haven’t got there yet. One day.